A space in motion. A mechanism based on urgency that creates liberated fabrics, between floating zones and accessible landscapes. Everything feeds on connecting territories, leading up to anomalies. Disambigua does not believe in clichés. It finds and records airy parallels, becoming a connection between formats that go beyond the concept of pre-determined shapes. It rejuvenates itself with every fleeting moment. Passengers in transit through a vertical entry preparing to enjoy an itinerant dance.
Post.ID | Viterbo
The virtual nature of Disambigua is renovated in a space, designed as an additional element and in the same time as a corpus for the shared construction. This space has to be a place open to any ideas, conceived to create moments, design processes and support theorical and pratical activities with individual or collective participations. All the activities are selected with the aim to bring into question the canonical concept of category linked to contemporary artistic practices, working to ensure that the individual could have greater freedom of expression.In this area is particularly important the performative procedure, for a clear annexation to the motion and as an observation ascribable to the time. A reference mobile icon, with instants that are part of the rituality of the action, whether individual or unanimous. A particularly attention to all the imagined instants and ultimately, to all the manifested instants directed toward a drawing, then to the action. The space is a nucleus in progress, for a more extensive vision of the art, directed to the recovery of the interpersonal relationships. An essential dimension, as the examination of the restrictions due to a hierarchical domani of knowledge. In this context, the anomaly is the suitable precept for the weakening of all that coercions who made it. Disambigua is a form-less project, with a dual connotation: virtual and real. A breakdown who wants to emphasise on the potential use of mainstream, in terms of reaction, growth and incisive-emotional channel. The real place, is a shared resource of freedoms, individual steps, and as a space to solidify international exchanges. Through field works, projects, critical methodologies, exhibitions or artist-in-residence, the aim is to create in respect of the human component, with a concept of art that considers the acquired limits of the debt-maps of the current geopolitical. For the development of the exchanges is expected a socio-anthropological contribution, in order to allow a sensible approach to all the various social complexities. Within the space, there’s an additional small room, with its own autonomy. And its name is R.I.P.